Unexpected

UNEXPECTED, Fenx reflects on the possibilities of using the incorrect algorithms to decypher the data from the days we are currently living in. He does so by introducing a certain imperfection to his traditional picture-perfect still-life style, similar to the flaws that could come with overexposed camera rolls or corrupted files. A picture,  so overly familiar to you, now a memory distorted by the imperfection of technology, yet creating something uniquely beautiful to you and the world. Fenx brings these “imperfections” to his works by letting his own hands be the “incorrect algorithm”. Angles start to morph, pixels appear to be missing, and colours abruptly shift into other areas of the spectrum, altogether creating a painting that reflects its original memory, yet with parts remaining lost in translation.